MusicScience: The Harmonic Code Of The Universe

The Harmonic Code

 

MusicScience & THE GOLDEN THEME….WE ARE ON THE EDGE OF MIRACULOUS TIMES!

Notice of Abstract Priority: March 21, 2012 – Vernal Equinox.  MusicScience: The PRIME ROOT CODE, PRIME ROOT MATRIX and the PRIME ROOT PERIODIC TABLE – Published on this date establishing priority to the Copyright, Trademark and Patents with All Rights Reserved to the original discovery and invention of the Primary Method for the numerical order of the Prime Root Periodic Table – the core harmonic matrix number system of the Universe based on the periodic order of prime root integers in their natural orderly sequences that governs all numerical number systems that function as mathematical codes in all vibrational frequencies and geomerical forms, micro and macro scale, in the unification of time and motion, energy and matter.
Everything that exists in the vast Cosmos of the Harmonic Universe vibrates and functions in accordance to the Periodic Order of the PrimeRootCode that originates The Periodic Table of Elements – The Atomic Code that derives from natural numerical order.
In effect, a numerical system and method for Harmonic Calculus of molecular fusion and genetic engineering.
MusicScience and TheGoldenTheme embodies these mathematical codes published in musical composition, original discoveries based on the Prime Root Code and The Harmonic System of the Universe.
This unique discovery of the Prime Root Code and the Numerical System of the Periodic Table of Elements – ends a search since the beginning of science,   for ‘The Numerical Code’ that generates the  periodic order of the prime roots and the structual platform for atoms and molecules, and the architecture of the Human Genome.   Fundamental order to the basic numerical roots and frequencies that has eluded research since the beginning of science, and the gravity of this knowledge – including ‘The Gravity Matrix’ – will change the world by revealing the natural numerical method by which Harmonic Fusion of natural elements in perpetual motion, can harmonically produce unlimited access to natural energy to replace fossil fuels, and the scientific engineering of the genetic code enabling humans to essentially live forever – to restore the individual genetic code, and attain a state of Cosmic Consciousness in the pursuit of spiritual illumination, wisdom and sense of humanty and peace for all mankind.
From this historical moment of discovery of these numerical codes….into the future – we are on the edge of miraculous times.
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Abstract of Priority: MusicScience: THE HARMONIC CODE OF THE UNIVERSE, THE GOLDEN THEME, VARIATIONS ON THE GOLDEN THEME, IMPROVISATIONS ON THE GOLDEN THEME, & THE TRIADAL PROGRESSION OF THE DIATONIC SCALE – Music Composition & Notation Published 2001 by MusicScience, TradeMark & Copyright by Alwyn Scott Turner. All Rights Reserved Pending Patents.
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MusicScience & ‘THE GOLDEN THEME’


ABSTRACT. A Mathematical System and Numerical Method for Music Composition based on the Natural Harmonic Code of the Cosmic Universe
ABSTRACT: A Numerical Method for the Harmonic System of Triad Progression in the  Diatonic Scales. A Musical Composition and Arrangement of in the Numerical Order of Natural Elements, and the mathematical functions of motion, energy, mass & time.

THE HARMONIC CODE OF THE UNIVERSE


Announcing the Discovery & Cracking of The Harmonic Code, Numerical Code, the Prime Root Code & Periodic Table of Prime Roots, The Decimal Code, The Atomic Code & Numerical Order of the Periodic Table of Elements, The Gravity Matrix,  The Triadal Progression of the Chromatic Spectrum, the Harmonic Rhythm of the Diatonic Scales, The Quantum Unit (65470944) of the Photon,  the Numerical Constant for the Velocity of Light (983,575,296 mps), Hydrogen & Atomic Prime Root Frequencies for Molecular Fusion, MagicSineWave Vectors and Harmonic Encryption that govern Genetic Code Sequences of the DNA Molecule, Equilibrium of Angular Momentum and Logarithmic Tangents of Three Dimensional Triadal Planes in the Numerical Unification of Micro/Macro Cosmos.   Also, the Harmonic Wave Mechanics of Astral Projection and Levity of the Astral Body, and the Universal Rhythmic Frequencies of Conscious Thought and the Illumination of the Mind by Cosmic Consciousness.

In essence…The Harmonic Code of the Universe & Numerical Calculus of the Cosmos – the Mathematical Physics for the Unification of Science in the research of Time & Space, Mass & Motion – these original scientific discoveries are elements embodied in the Musical Composition: MusicScience: ‘The Golden Theme’ – Variations & Improvisations – a Method of invention of original harmonic numerical systems – Abstract Published to establish Rights of Priority with All Rights Reserved on Patents Pending, Trademark and Copyright by Alwyn Scott Turner:
MusicScience.org

2.17.12:  Abstract of Priority.  MusicScience: THE QUANTUM INTERVALS & THE TRIADAL MATRIX – ‘FluidFusion & The Harmonic Code Of The Universe’ – ‘The Golden Theme’, ‘Variations On The Golden Theme’, and ‘Improvisations On The Golden Theme’: The Method & All Systems – Copyright & Tradmark with All Rights Reserved Pending Patents by Alwyn Scott Turner.

Special Report: THE QUANTUM INTERVAL & The Harmonic Nuclear Code. All things that vibrate in the Harmonic Universe are based on the harmonics of the Prime Root Code – the true order and function of the Prime Roots has finally been discovered – for the first time in the history, science now has access to the keys of all frequencies and wavelengths of the Energy Spectrum.  The Periodic Table of Prime Roots – is the key to all functions of time and space, all frequencies and wavelengths – Harmonic Calculus of the Periodic Table of Prime Roots is a ‘Code’ that will effect a harmonic Unification of Science – and create new initiatives in a giant leap into Harmonic Fusion technology and the natural functions of energy – and extrapolation of the genetic code.   It is time that everyone joined the Family of Man to use technical advances of knowledge for peaceful means – instead of destructive secret technological advances used for weapons of war and terrorism against people.  America must throw off the yoke of tyranny and return to the natural state of being…where Freedom of Privacy, Thought and Speech make creative thinking and vital knowledge possible, and to share great discoveries…and by individual achievements, inspire Mankind in the search for Cosmic Cosciousness – and the quest for greatness of spirit and wisdom – that such knowledge commands…

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2.17.12: Abstract of Priority.  MusicScience: THE HARMONIC CODE OF THE QUANTUM INTERVALS & THE TRIADAL MATRIX – ‘FluidFusion & The Harmonic Code Of The Universe’ – ‘The Golden Theme’, ‘Variations On The Golden Theme’, and ‘Improvisations On The Golden Theme’: The Method & All Systems – Copyright & Tradmark with All Rights Reserved Pending Patents by Alwyn Scott Turner.

HARMONIC FUSION

Harmonic Matrix of Quantum Intervals
‘The Golden Theme’ Music Composition of Natural Major and Minor Sets of Quantum Triads.
The Quantum Intervals Ascending & Descending Inside The Octave & Across The Octaves.
Ascending from the Root in C’ Scale – the first set of Major Triads (435:453:543).  Descending From the Octave in E’ Scale –  the first set of minor Triads (534:354:345):

QUANTUM INTERVALS: ‘THE TRIADAL PROGRESSION OF THE CHROMATIC & DIATONIC SCALES:

The Triadal Progression of consists of 18 Triplets Ascending from the Prime Root:
(The Count is in Intervals)
The Major Triadal set 435 in the Key of C =  the Tonic C is the first of 4 Intervals, followed by the 1st Inversion in the Key of E for 3 Intervals, the Key of G for 5 Intervals – only the first note of each set is played as a Traid – and only the notes are played in the scale – for instance, in the Root Position of C’ Scale, the 1st set consists of four intervals (C,C#,D,Eb), in which only C & D keys are in the Diatonic of C’ Scale.  Followed by the Key of E’, the 1st Inversion of the Second set of E’ – of the three intervals (E,F,F#), only E & F are in the Diatonic of E’ Scale.  In the 2nd Inversion of the Third set of G’ – of the five intervals (G,Ab,A,Bb,B), only  G,A & B are in the Diatonic of G’ Scale.  Thus, the Harmonic & Rhythmic sequence consists of 4 beats in C’, followed by 3 beats in E’,  followed by 5 beats in G’ = 12 beats.  Thus, the harmonic structure of 3 sets in the Triad is the same pattern as the 3 sets of notes in the rhythmic pattern – this is the fundamental system for HarmonicRhythm.

THE FULL  OCTAVE OF THE CHROMATIC AND DIATONIC SCALES:
The 12 Notes of the Diatonic Scale are derived from the Prime Root multiplied by the 12th Root of 2 – in which the Decimal Expansion on the 7th Note (F#) is the Inverse Square Root of 2.  The Base Pairs of the Prime Root Code is the Root of all natural Harmonic frequencies in the Universe, and fundamental in the molecular structure of numerical integers of The Atomic Code and the Periodic Table of Elements.

1.  435 (CEG) = C:(4 notes), E:(3 notes), G:(5 notes) = Major C’ Scale Ascending from the Prime Root over 12 intervals, in which only the first note of each set is played.  { 435 is the 1st Major Triad in C’ Scale:  >Ascending from the Prime Root.

It should be noted that Triad in C’ Scale (435:CEG) Ascending from the Root – is Triad in E’ Scale  (534:CGE) Descending from the Full Octave, which consists of 13 notes.  There are 12 notes in the Diatonic Ascending from the Root, and 12 notes in the Diatonic Descending from the Full Octave of 13 Intervals.  In the Number System of the Harmonic Code – Prime Root 13 represents the Harmonic structure of the Octave.

Thus, the Base Pairs of the 5th Ascending (C:G) – is a 4th (C:G) Descending from the Octave.
And the Base Pairs of the 5th Descending (C:F) – is a 4th (C:F) Ascending from the Root.

The Diatonic Scale ascends from the Root – and the Reverse of the Diatonic Descends from the Octave. In effect, the full Octave consists of two twelve note Diatonic Scales – one ascending from the Root and the other Descending from the Octave.
The C’ Chord of the full Octave consists of C:E:G:C – CEG Ascending & CGE Descending – over 13 notes.
This is the fundamentarl harmonic structure of the Spiral Binary Helix in the DNA Molecule that governs the sequence of intervals in The Genetic Code.

2.  453 (CEA) = : 354   { 2nd Major Triad in C’ Scale:  453 >Ascending from the Prime Root;  354 minor Triad in E’ Scale Descending from the Octave as the 2nd minor Triad: (354 in E’ Scale.

3.  543 : 345   { 3rd Major Triad in C’ Scale:  543 >Ascending from the Prime Root; Descending from the Octave as the 1st minor Triad: 345 in E’ Scale. }
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Triadal Matrix of Quantum Intervals Across the Octaves.

435 : 354 : 543 (MmM)

Root: Major; 1st Inversion: minor; 2nd Inversion: Major

C’ Scale = (3) Major Triads: 435:453:543 Ascending Diatonic from Root.

E’ Scale = (3) minor Triads: 534:354:345 Descending Diatonic from Octave.

C’ Scale Triads Ascending from the Root – are E’ Scale Triads descending in Reverse from the Octave.]

435 : 534 =  Root Triad Ascending & Octave Descending
354 : 453 = 1st Inversion – Ascending & Descending
543 : 345 = 2nd Inversion – Ascending & Descending
The Chromatic Octave consists of 13 keys from Root to Octave:  The Diatonic Scale consists of 12 keys Ascscending from the Root, and 12 Keys Descending from the Octave.  Each measure consists of 12 Beats of Quantum Intervals of Rhythm, and 12 Quantum Harmonic Intervals.  Both Harmonic & Rhythmic Systems Function in counterpoint to the same 435 Triad – by the division of the harmonic notes into (3) sets of keys, and corresponding to dividing the time factor of the rhytmic beat into the same (3) sets of Quantum Intervals: The Triad of 4 notes, 3 notes and 5 notes – in the same series of a 12 beat measure as: 4 beats, 3 beats, and 5 beats – the natural melody of HarmonicRhythm.

The same Triadal Set of Quantum Intervals:   The 1st Major Triad 435 (CEG) in C’ Scale has 3 sets of Quantum Intervals that apply to both armonic and rhytmnic systems: C’ Scale Triad: 435 consists: C = 4 notes, E = 3 notes, G = 5 notes – within the same measure.  The Rhythm is divided into the same set of three sets of Quantum Intervals: 4 beats, 3 beats & 5 beats = Root, 1st Inversion, 2nd Inversion.  Both rhythm and harmony have the same intervals derived from the same Quantum Triad.  Consequently, the changes in the Triadal Progression governs both harmony and rhythm.  (Instead of playing a 12 beat measure either as  3 sets of 4 beats, or 4 sets of three beats – the 435 Triad is played as a set of 4 beats, 3 beats and 5 beats.  The changing within the Harmonic Calculus proceeds throughout the Triadal Progression of the Chromatic Spectrum and Diatonic Scale.

The Quantum Matrix of Minor Tridal Intervals Inside the Octave:
1.  345 : 543 { 1ST minor Scale 345 >Ascending from the Root in E’ Scale : Descending from the Octave, the 3rd Major Triad in C’ Scale: 543 is the Mirror Image in reverse.

(…..More To Come.)

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12.12.12:

HARMONIC CALCULUS & QUANTUM INTERVALS

HarmonicCalculus is the Method for defining the ElectroMagnetic Wave Mechanics integral to the domain of functions on the Gravitational Axis – alternating harmonic patterns of the Triadal Progression which govern the changing vectors of Angular Momentum and the harmonic sequence of alternating polarities of energy in three-dimensional coordinates. The integrals of Harmonic Calculus for space/time functions derive from the expansion of Prime Root decimal partials that converge in binary harmonic and rhythmic sequences. The Triadal Series of integer sequences are quantum intervals that govern all frequencies and wavelengths, expanded from the Periodic Table of Prime Roots. The Method of HarmonicEncryption is original – extraction of the place series and the array of decimal numbers in the electronic system.  HarmonicEncryption is a method of rendering precise natural wave vectors that alternate sequential changes of polarity in the gravity field – a state of harmonic fusion in the periodic Triadal shifting of equilibrium that produces levitation.  The triple counterpoint MagicSineWave is generated by the natural order of Harmonic Quantum Intervals derived from the Harmonic Calculus and the Periodic Table of Prime Roots by the expansion of decimal partials for Prime 19:

{ 1.10.5.12.6.3.11.15.17.18.9.14.7.13.16.8.4.2 }

HarmonicCalculus: Wave Vectors for Changes in Polarity on the Triadal Axis:

1. 1: Sway & Roll : Heave & Pitch : Surge & Yaw

2. 10: Sway & Roll : Surge & Yaw : Heave & Pitch

3. 5:  Surge & Yaw : Sway & Roll : Heave & Pitch

4. 12:  Sway & Roll : Surge & Yaw : Heave & Pitch

5. 6:  Heave & Pitch : Sway & Roll : Surge & Yaw

6. 3:  Surge & Yaw : Sway & Roll : Heave & Pitch

7. 11:  Sway & Roll : Heave & Pitch : Surge & Yaw

8. 15:  Heave & Pitch : Surge & Yaw : Sway & Roll

9. 17:  Heave & Pitch : Surge & Yaw : Sway & Roll

10. 18: Surge & Yaw : Heave & Pitch : Sway & Roll

11. 9: Sway & Roll : Heave & Pitch : Surge & Yaw

12. 14:  Heave & Pitch : Sway & Roll : Surge & Yaw

13. 7:  Heave & Pitch : Surge & Yaw : Sway & Roll

14. 13:  Surge & Yaw : Sway & Roll : Heave & Pitch

15. 16:  Surge & Yaw : Heave & Pitch : Sway & Roll

16. 8:  Surge & Yaw : Heave & Pitch : Sway & Roll

17. 4:  Heave & Pitch : Sway & Roll : Surge & Yaw

18. 2:  Sway & Roll : Surge & Yaw : Heave & Pitch

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THE DIATONIC MATRIX

THE HARMONIC CHROMATIC SPECTRUM

QUANTUM INTERVALS & DIATONIC DEGREES OF THE OCTAVE

MusicScience: The 7 Keys of  the Diatonic Scale Ascend from the Root & Descend from the Octave:

1.  2212221: 1222122    C’ Scale Ascending is E’ Scale Descending

2.  2122212: 2122212    D’ Scale Ascending is D’ Scale Descending

3. 1222122: 2212221    E’ Scale Ascending is C’ Scale Descending

4.  2221221: 1221222    F’ Scale Ascending is B’ Scale Descending

5.  2212212: 2122122    G’ Scale Ascending is A’ Scale Descending

6.  2122122: 2212212    A’ Scale Ascending is G’ Scale Descending

7.  1221222: 2221221    B’ Scale Ascending is F’ Scale Descending

The Harmonic Octave consists of 13 Quantum Intervals.

The Chromatic Scale consists of 12 Quantum Intervals.

The Diatonic Scale consists of 7 Degrees Ascending from the Root and 7 Degrees Descending from the Octave. The ascending order of scales and triads reverse descending from the Octave, the harmonic and rhythmic (HarmonicRhythm) structure within the measure function with the same Triadal Progression – that is, the 12 key measure is divided into three harmonic sections, and the 12 beat rhythm is equally divided into three sections – The Triad within the scale, determines the triple counterpoint of both harmonic and rhythmic sections:  Thus, the triad of the measure consists of  Root, 1st Inversion and 2nd Inversion within the Octave, and the same keys as Roots expand across the Octaves.  The rhythm section has the same beat structure as the harmony. Simply, the same triple division of the Triad – governs both elements.  It should be noted that within the Octave –  the first Triad in C’ is Major, whereas across the Octave, the Root is Major, the 1st Inversion is minor and the 2nd Inversion is Major.  Expansion across the Octaves by other scales and their Triads follow the same procedure – in essence, what occurs within the Octave governs what occurrs across the Octaves.

1. The 1st Degree Ascends from the Root –  and Descends as the 3rd Degree from the Octave.

2.  The 2nd Degree Ascending from the Root – is palindromic Descending from the Octave.

3.  The 3rd Degree Ascending from the Root – and Descends as the 1st Degree from the Octave.

4.  The 4th Degree Ascending from the Root – and Descends as the 7th Degree from the Octave.

5.  The 5th Degree Ascending from the Root – and Descends as the 6th Degree from the Octave.

6. The 6th Degree Ascending from the Root – and Descends as the 5th Degree from the Octave.

7. The 7th Degree ascending from the root –  and Descends as the 4th Degree from the Octave.

Next: The Natural Triadal Progression of the Diatonic Scales

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There is Natural Order in the Harmonic Integer Sequences that govern frequencies and wavelengths of the Chromatic Spectrum and the HarmonicCode of the Universe which originate from the numerical order of The Periodic Table of Prime Roots.  The Harmonic Calculus of the Quantum functions are derive from the Decimal Code in perfect harmony within all forms of vibration, motion and energy, and forms of matter.  The natural harmonic system of numerical integers based on prime roots in integral sequences and series are basic to all Univeral functions.

The solution to cracking the Numerical Code by computation and mathematical physics originate from this numerical system of integer sequences…now revealed for the first time, to be expanded one element at a time – so people of every nation can gain free access to this knowledge – all at once.  Thereby, revelation of this scientific discovery will enlighten all of mankind to a full knowledge of the Harmonic nature of existence.

The Harmonic Calculus of the Universe.  This vital sequence of natural numbers is a Master Key that unlocks the science of the Genetic Code.  An original discovery and method for unification of all sciences that originate from ‘The Numerical Code of the Cosmos – a System of Prime Numbers that governs The Periodic Table of Elements, and the Human Genome – that will create new technology that will benefit mankind – rather than a science used to make weapons weapons of war that destroys what nature has created.  For all of mankind…MusicScience is the method of attaining a state of Cosmic Consciousness…all the people on planet Earth should enjoy their personal evolution with a sense of security that exists only when Freedom, Peace and Prosperity prevails – the Pursuit of Happiness and the search for Cosmic knowledge and wisdom…is the true joy of being alive as an intelligent being.

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